Internal — Marketing Rollout — v.1 Internal
a record by Brad Paisley,

TackleboxVol. I & II

Two volumes. Eighteen songs. A double-vinyl release. A five-month rollout built like a shoebox of old photos.

First Drop
5/4/26 — “This Town”
Vol. I Release
6/26/26 (Digital)
Vol. II + Physical
9/4/26 (Vinyl Ships)
The Play
A 48-hour early-access portal before every DSP drop. Email and community text do the driving. Instagram does the theater. The sound is retro 90s/2000s — so the rollout is too.
Album Art Direction

Current design for the album.

creative reference — not a physical SKU
Current Blueprint

The Tacklebox — retro guitar case as visual identity.

— Jacob Roth + E.W. Carpenter, 3.29.2026.
Album cover blueprint — pencil sketch by Jacob Roth and E.W. Carpenter showing the Tacklebox guitar-case packaging in three views: front exterior with CNC-engraved Tacklebox script, opened interior with compartmentalized tackle-tray layout, and rear/closed view; annotated with notes on tweed-inspired texturing, CNC-engraved lettering, bonus pop-up trays with crushed velvet, lift-up flaps with yellow velvet, and optional numbered posts
Exterior — TexturingTweed-inspired surface treatment. Vintage amp-case / luggage-trunk aesthetic.
Branding — Lettering“Tacklebox” in CNC-engraved script down the body of the case.
Interior — Bonus TraysPop-up trays lined with crushed velvet. Each tray a compartment, each compartment a slot for an artifact.
Interior — Lift FlapsYellow-velvet lined flaps. Hidden second layer underneath the main tray.
Optional — Numbered PostsStamped numerals (track #s, edition #s, or volume markers — TBD).
HardwareTraditional case latch and handle. Brass. Worn finish.
Important: the case is creative direction, not a SKU. The album itself is a traditional double-vinyl release. The Tacklebox object lives across the brand world — single covers nested inside its compartments, the portal designed as its file-browser interior, future merch and visuals built off the same metaphor — but fans buy vinyl. The case is the lens; the vinyl is the product.
Single Cover Direction

The look, established.

where the rollout aesthetic comes from
Single cover direction option 1 — illustrated tackle compartment with iPod and earbuds
option one — illustrated.
Option 1 — Sketch

Hand-drawn, illustrated.

Pencil-rendered tackle compartment with the iPod, earbuds, and bonus objects sketched in. Reads more handmade — like something from a liner-note booklet or a kid's notebook page. Lighter touch, quieter, leans into the era through technique rather than realism.

Single cover direction option 2 — photographed tackle compartment with iPod, earbuds, half-dollar, and lighter
option two — photographed.
Option 2 — Photographed

Real objects, found-still-life style.

Actual iPod, real earbuds, physical objects shot inside a real wood compartment. Worn wood grain, scuffed glass, dust in the corners — looks like it's been in a glovebox since 2003. More immediate, more tactile, more obviously of the era.

Whichever direction we land on, the system stays the same: every single cover lives inside a Tacklebox compartment, and the objects in that compartment represent the song itself — its subject, its era, its story. A song about a long drive gets keys and a gas receipt. A song about a first love gets a folded note and a movie stub. Each cover becomes its own little still life — a window into the world that song lives in. Same frame across all 18 singles; the contents change with the song.
The Portal — bradpaisley.com

Where the early access lives.

the front door for every drop
01. Landing
bradpaisley.com

One folder on a clean white desktop.

That's it. No hero copy, no email modal, no carousel. A single blue Mac OS folder labeled TACKLEBOX, sitting on white space like it was left there. The marquee at the top — TACKLEBOX — BRAD PAISLEY — TACKLEBOX — BRAD PAISLEY — scrolls across, the only motion on the page.

You click the folder.

Portal landing — blue Mac OS folder labeled TACKLEBOX on a white desktop with scrolling marquee header
Visual Reference
Mac OS folder icon. Pure white background. Brad's whole site is the desktop.
Header
Scrolling marquee, monospaced. Continuous loop. The only animated element.
Interaction
Click the folder. That's the only thing to do. No scroll, no menu, no fold.
02. Opened
bradpaisley.com / tacklebox

Inside: a guitar case full of MP3s.

The folder opens into a sketched guitar-case file browser — same compartmentalized layout as the Tacklebox object. Compartments fill in as more songs unlock. Below it, a finder-style file list: track name, upload date, file size, file type. Plain monospace. No play buttons that look like Spotify.

The gate: click an MP3 → pre-save the album → unlock streaming. One pre-save per volume (Vol I in May, Vol II in July). Returning fans skip the gate entirely.

Portal opened state — sketched guitar-case file browser with one highlighted compartment, file list below showing FALLIN.MP3 and FALLIN (BRAD PAISLEY VOCAL).MP3
Pre-Save Gate
First click triggers album pre-save (Spotify + Apple). Once done, the folder stays open. One ask per volume.
File List
NAME · UPLOADED · SIZE · TYPE. Monospaced. Reads like a finder window from 2003.
Multiple Versions
Demo vs. vocal vs. acoustic — each gets its own MP3 row. Treats fans like collectors.
The whole rollout sells nostalgia, but this is where it gets literal. Fans aren't "streaming an exclusive" — they're getting an MP3, in a folder, on a desktop. iTunes-on-your-iMac energy. Burned-CD energy. And the pre-save isn't an "ask" — it's the key that opens the folder. The exchange feels fair: pre-save the album, get the music early, in a format that already feels like yours.
Act One

The Blackout & the First Two Songs

late April through May 6
Thursday
April 30
T–48 hrs
to portal

Instagram goes dark.

delete everything. say nothing.

  • Archive every existing post on Brad's grid. (Don't nuke — archive.)
  • Update bio to something cryptic. A URL and a date, a single lure emoji, or blank.
  • Profile pic → solid black, or a worn texture (weathered tackle lid, faded denim, scratched vinyl).
  • No caption. No teaser post. Just the silence.
the blackout is the announcement. fans notice within hours. a teaser caption kills the mystery — let it speak for itself.

Optional same-day email to inner circle: “Something's happening. You'll be the first to know. Watch your inbox Saturday.” Seeds FOMO without spoiling the grid reveal.

Friday
May 1
T–24 hrs
to portal

One throwback photo.

1998. or 2002. somewhere before all this.

  • A single image: kid or teenage Brad. Disposable-camera quality. Holding a guitar, in a truck bed, at a cookout, on a back porch.
  • Caption is a year (“1998.”) or a place (“Mom's kitchen.”) or nothing.
  • Comments: leave open. Don't reply.
one post on a blacked-out grid is a dramatic visual hit. it sets the era before anyone knows what the record sounds like.

Other channels: None. IG only. Resist the cross-post.

Saturday
May 2
portal opens
48 hrs before DSP

The portal goes live.

tacklebox.live (or placeholder) — fans stream “This Town” and “Falling” free for 48 hours before DSPs.

01 Email 8–9 AM CT
02 Text ~30 min later
03 IG Post late morning
04 IG Story rolling all day
  • Email subject line: 48 hours early. One paragraph from Brad. Portal link. No GIFs, no footer graphics. Make it feel like a letter.
  • Text copy: “Brad here. New song's up early for you. Link: [portal]. 48 hours only.”
  • IG post: Second throwback-style image + first Tacklebox aesthetic reveal. Portal + DSP date in caption.
  • IG Story: Studio polaroids, a 10-second voice note from Brad on “This Town.”
email and text land before the IG followers even know. that's what makes people sign up for the list in the first place.
Monday
May 4
“This Town” — DSP

“This Town” hits DSPs.

IG Post Email Story
  • Portal closes for “This Town” (“Falling” stays up two more days).
  • Spotify / Apple / etc. links live everywhere.
  • IG post: official cover art. Caption is a single lyric. Nothing else.
  • Story: reshare early fans who posted from portal listens. UGC amplification.
Tuesday
May 5
quiet day

Breathe.

No feed post. Story-only: behind-the-scenes for “Falling” coming tomorrow. Keep momentum without exhausting it.

Wednesday
May 6
“Falling” — DSP

“Falling” hits DSPs.

IG Post Email
  • Portal for “Falling” closes.
  • IG post: cover art. Single-lyric caption, as before.
  • Email to list: “Two songs out. More coming. Thanks for being early.”
  • No text. Save texts for bigger moments.
Act Two

The Vol. I Waterfall

May 8 through June 26
Every Single
the pattern

One rhythm, repeated.

Every single-track drop follows this cadence. It's the engine of the whole rollout.

T-MinusAction
48 hrs before DSPPortal opens (free stream) · Email · IG announce post
24 hrs before DSPIG Story teaser — lyric card, clip, or throwback image
DSP drop dayIG post w/ cover art · one-line caption · Email
+1 dayStory reshares of fan UGC from portal listeners
community text is reserved for the five biggest moments only — 5/2, 5/29, 6/26, 8/14, 9/4. five texts across five months. scarcity = open rate.
Vol. I
tracks 1–9

The track-by-track.

  • 5/4 “This Town” #1 portal 5/2
  • 5/6 “Falling” #2 portal 5/4
  • 5/8 Track #3 waterfall portal 5/6
  • 5/13 Track #4 portal 5/11
  • 5/19 Track #5 portal 5/17
  • 5/29 Track #6 + Vol. I pre-order portal 5/27
  • 6/3 Track #7 portal 6/1
  • 6/11 Track #8 portal 6/9
  • 6/26 Track #9 · Vol. I Full Release portal 6/24
Thursday
May 29
vinyl pre-order opens
Special Moment

Vol. I pre-order — double vinyl available.

First time fans can put money down on the physical record. Coordinate with the label fulfillment team.

  • 10 AM CT simultaneous drop: email + community text + IG.
  • IG carousel (5–7 slides): vinyl photography → tracklist → variant options → pre-order CTA.
  • Tier strategy: standard 2LP black · numbered color variant · signed edition. Each tier is its own marketing beat across the rollout.
  • Indie record store exclusive variant announced same day — different colorway, available only at independent shops. Lock by 5/22 plant deadline.
Tuesday
June 23
3 days before Vol. I

"Songs from the basement" — the influences playlist.

a Spotify playlist of what was in the CD player.

Three days before Vol. I drops, Brad releases an official Spotify playlist of the songs that shaped this record — the music he was actually listening to in the late 90s and early 2000s when these songs were forming. Not a "best of the era" — a personal mix. The Wallflowers next to Tom Petty next to Counting Crows next to a Steve Earle deep cut next to whatever was on the radio driving back from his first Nashville session.

  • Length: 25–35 tracks. Long enough to feel like a real listening session, short enough to actually finish.
  • Naming: something specific and personal. "What was in the CD player — 1998–2003" or "Songs from the basement" or "Before I knew anything." Not "Brad's 90s Mix" — that's marketing-speak and kills the mood.
  • Cover art: a photo of an actual CD wallet, half-zipped, discs visible. Same shoebox aesthetic as the rest of the rollout.
  • Liner note (Spotify description): 3–4 sentences, first-person, from Brad. "These are the songs I was actually listening to when most of Tacklebox was getting written. Some are obvious. Some make no sense. All of them are in there somewhere."
  • Companion email: short note to the list with the playlist link + one paragraph from Brad about a single specific song on it (a memory, a story, why it mattered). The personal anchor is the whole point.
  • IG carousel: 5–6 slides, each one a track + a hand-written line from Brad about why it's there. Reads like a mixtape liner-card insert.
does triple duty: gives press an angle for release-week stories that aren't just "new album out friday," primes Spotify's algorithm to associate Brad's account with these adjacent artists (so Tacklebox lands in better radio mixes), and gives new fans a low-stakes way in. plus it's just genuinely interesting content — fans love knowing what their favorite artists actually listen to.

Press hook: Pitch this exclusively to one outlet that drops Tuesday morning — Stereogum, Aquarium Drunkard, or Rolling Stone Country. They get the playlist + a Brad quote about one song. Their piece runs Tuesday, the playlist goes public same hour, the album drops Friday. Three connected beats in one week.

Friday
June 26
Vol. I release day

Vol. I is out.

Email Text IG IG Live
  • Portal becomes a full-album early stream (48 hrs starting 6/24).
  • IG: album cover + tracklist carousel.
  • Email: personal note from Brad, link to full album.
  • Text: “Vol 1 is out. Vol 2 coming this fall. Case ships in September. Love, B.”
  • IG Live: 30-min acoustic run-through, 8 PM CT. Low production. Him, a guitar, a porch.
Act Three

Vol. II & the Physical Payoff

July through September 4
Vol. II
tracks 10–18

Same pattern, second wave.

  • 7/20 Track #10 portal 7/18
  • 7/22 Track #11 waterfall portal 7/20
  • 7/24 Track #12 portal 7/22
  • 7/29 Track #13 portal 7/27
  • 8/4 Track #14 portal 8/2
  • 8/14 Track #15 + Vol. II pre-order portal 8/12
  • 8/20 Track #16 portal 8/18
  • 8/25 Track #17 portal 8/23
  • 9/4 Track #18 · Vol. II Release · Vinyl Ships portal 9/2
Friday
Aug 14
Vol. II pre-order
Second Wave

Vinyl pre-order, round two.

Vol. II pre-order opens. May orders haven't shipped yet (those wait for the 9/4 release), so this is purely additive — fans who missed Vol. I can grab the full set.

  • Bundle option: Vol. I + II together at a small discount over buying separately.
  • Indie record store variant for Vol. II announced — different colorway from Vol. I to drive complete-the-set behavior.
  • Test pressing giveaway: 5–10 numbered, signed test pressings to the most engaged fans on the email list. Costs nothing, generates loyalty.
  • If any "first 500" or "first 1,000" tier sold through on Vol. I, mention it here as social proof.
Friday
Sept 4
the big one

Vol. II digital · Vol. I + II vinyl · Records ship.

Email Text IG Press
  • Portal opens 9/2 for full Vol. II early stream (48 hrs).
  • Double vinyl ships to every pre-order — May and August waves both.
  • Email: long letter from Brad. First long-form note to the list in the whole rollout.
  • Text: "It's done. Both volumes are out. Vinyl shipping today. Thank you for 5 months of early."
  • IG: still-life carousel of the vinyl with the Tacklebox visual world — sleeve photography that nests the records inside the case-compartment metaphor.
  • Press: pitch No Depression, Rolling Stone Country, American Songwriter in mid-August for embargoed 9/4 features.
Supporting Mechanics

How the engine runs underneath.

all rollout long

Email List

Cadence~2× per week during active rollout. Portal days + release days.

VoiceShort. Letter-like. Plain text or minimal design. Brad in first person.

GrowthPortal signup is email signup. Gate the free stream behind an email.

Community Text

ToolCommunity, Laylo, or similar.

CadenceFive texts across five months. 5/2 · 5/29 · 6/26 · 8/14 · 9/4.

VoiceLike a friend updating you. Never marketing-speak.

Instagram, After

GridShoebox / photo-album feel throughout. Disposable camera. Faded color. Scanned polaroids. Notebook paper.

AvoidBright gradient graphics. Motion-designer carousels. Anything that looks branded.

Lean intoKid-Brad photos, real/mocked gig flyers, handwritten lyrics.

Reels & TikTok

PhilosophyLight touch. Don't force dance content.

Best betsPorch acoustic clips, studio b-roll w/ a 90s song behind it, "what I was listening to when I wrote this" POVs.

CadenceOne clip per single, max. Quality over quantity.

The Portal Itself

FeelA black page, a lure graphic, a play button, an email field. Should feel like a hidden room. Not a marketing funnel.

TrackSignups, plays, repeat visits, geo data (feeds tour routing later).

What we're not doing.

Key Dates.

the whole thing, at a glance
Date Moment Channels
4/30IG blackoutIG
5/1Throwback postIG
5/2Portal opens · full announceEmail · Text · IG
5/4“This Town” DSPIG · Email
5/6“Falling” DSPIG · Email
5/8 – 5/19Waterfall singles 3–5Email · IG per track
5/29Vol. I vinyl pre-order opens + Track 6Email · Text · IG
6/2390s influences playlist dropsSpotify · Email · IG · Press
6/26Vol. I ReleaseEmail · Text · IG Live
7/20 – 8/25Vol. II waterfall singlesEmail · IG per track
8/14Vol. II pre-order + Track 15Email · Text · IG
9/4Vol. II Release · Vinyl ShipsEmail · Text · IG · Press